Different approaches to noise

You’re your own worst critic, or you should be, and back in 2006 when I first started out making horrible (in a bad way) noise, I wasn’t. I uploaded everything I did, and rarely looked back at what I did. In way it was a good thing, but generally I’d say that it was a bad thing.

It took quite a while before I started to let the tracks breathe, forgetting about them for a week or two. But I still included them on every album or EP I released.

The first CDR that I released was called Villaförortens hemlighet, and then I used the alias O2FN. It was recorded using two crappy PC speakers and an equally crappy microphone. While each track consisted of at least two, or more, recordings it was still poorly thought through and a spur of the moment track. However, it was what I could do at the time.

If I went back today to re-record or re-arrange that old material, I would of course end up with something completely different. It would also be a lot more cut-up and edited. I’m not saying it would be any better, just different and not done with the same kind of excitement.

Almost a year after the first O2FN release I had gotten a lot more into noise and also bought a couple of pedals and a mixer. That eventually led to creating the alias Reversed Obesity, which still exists, because it wasn’t what Hjorten was.

Once again I used everything I recorded, and I rarely thought twice about the material. The first Reversed Obesity release was an mp3 EP and a full-length album named World came along shortly. But on World I had actually gone through the recordings. I don’t know how many recordings I made, but there were seven tracks on the album.

Lets not talk about the noise releases that followed World, there’s no point in talking about how half of Definition was recorded when I was drunk and unemployed.

In January 2011 I suddenly found myself in a bad state of mind, so I turned to noise once again. However, this time was different. Not only did I have more equipment, I also had more experience and ideas. I experimented and improvised more than before, and everything was recorded. In total it turned into around 50 hours worth of noise.

Weeks after initial recording, I sat down and listened through all of the material, editing and cutting out pieces I liked. Once I had what I thought would be enough I started to actually compose noise rather than just calling it a track. I let the composing take whatever time it needed and in the end I had ten complete tracks.

Around three months after I knew it was it complete, I went back to it. Listened to it over and over again, and I slowly realized that it was too much, and the tracklist was off. In the end I got rid of five tracks, re-arranged the tracklist several times. And now that I’ve sent it off to a label hoping that they will want to release it, I can actually say that I couldn’t have done more with it. It is as good as I can ever make it.

Of course, that only goes for that specific album.

(Picture 1 & 2: O2FN equipment. Picture 3: Reversed Obesity equipment used in 2007.)


  1. Necrophilip
    Posted February 1, 2012 at 13:59 | Permalink

    Funny how I did my best work while drunk and unemployed. :-P

  2. Posted February 1, 2012 at 19:50 | Permalink

    Haha :) That’s so true about how many people start – the excitement and the energy take over and the thrill lies in the production of anything that is created, regardless of how good it is. Later, when we’ve calmed down, or circumstances allow, we look back and think ‘Man! I would have done that differently now!’. The more we work at these things the better we get :)

    Oh yeah :)

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